PDF Ebook The Norton Anthology of African American Literature (Third Edition) (Vol. Two Volume Set)
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The Norton Anthology of African American Literature (Third Edition) (Vol. Two Volume Set)
PDF Ebook The Norton Anthology of African American Literature (Third Edition) (Vol. Two Volume Set)
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About the Author
Henry Louis Gates, Jr. (Ph.D.Cambridge), is Alphonse Fletcher University Professor and Director of the W. E. B. Du Bois Institute for African and American Research, Harvard University. He is the author of Life Upon These Shores: Looking at African American History, 1513–2008; Black in Latin America; Tradition and the Black Atlantic: Critical Theory in the African Diaspora; Faces of America; Figures in Black: Words, Signs, and the Racial Self; The Signifying Monkey: A Theory of Afro-American Criticism; Loose Canons: Notes on the Culture Wars; Colored People: A Memoir; The Future of Race with Cornel West; Wonders of the African World; Thirteen Ways of Looking at a Black Man; and The Trials of Phillis Wheatley. His is also the writer, producer, and narrator of PBS documentaries Finding Your Roots; Black in Latin America; Faces of America; African American Lives 1 and 2; Looking for Lincoln; America Beyond the Color Line; and Wonders of the African World. He is the editor of African American National Biography with Evelyn Brooks Higginbotham, and The Dictionary of African Biography with Anthony Appiah; Encyclopedia Africana with Anthony Appiah; and The Bondwoman’s Narrative by Hannah Crafts, as well as editor-in-chief of TheRoot.com.Valerie Smith (Ph.D. University of Virginia), General Editor. Dean of the College, Woodrow Wilson Professor of Literature, professor of English and African American Studies, and founding director of the Center for African American Studies, Princeton University. Author of Self-Discovery and Authority in Afro-American Narrative; Not Just Race, Not Just Gender: Black Feminist Readings; and Toni Morrison: Writing the Moral Imagination. Editor of several works, including Representing Blackness: Issues in Film and Video; African-American Writers; and New Essays on Song of Solomon.William L. Andrews is E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill. He is general editor of Wisconsin Studies in Autobiography and The Literature of the American South: A Norton Anthology, and co-editor of The Oxford Companion to African American Literature and The Norton Anthology of African American Literature. Other works include the Norton Critical Edition of Up From Slavery; The Literary Career of Charles W. Chesnutt; To Tell a Free Story: The First Century of Afro- American Autobiography, 1760–1865; Sisters of the Spirit; The Curse of Caste by Julia C. Collins; Life of William Grimes, the Runaway Slave; and Slave Narratives after Slavery.Kimberly Benston (Ph.D. Yale University), Editor, The Black Arts Era. Francis B. Gummere Professor of English, former provost and director of the Hurford Center for Arts and Humanities, Haverford College. Author of Performing Blackness: Enacting African-American Modernism and Baraka: The Renegade and the Mask. Editor of several works, including Speaking for You: Ralph Ellison’s Cultural Vision; Larry Neal: A Callaloo Anthology; Baraka: A Collection of Essays; and the forthcoming books Malcolm X: A Critical Casebook; Who Blew Up America?: African-American Culture and the Crisis of ‘Terrorism’; and the Norton Critical Edition of H. G. Wells’s The Island of Doctor Moreau.Brent Hayes Edwards (Ph.D. Columbia University), Editor, The Harlem Renaissance. Professor of English and Comparative Literature, Columbia University. Author of The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism, awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard Prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association; and the forthcoming Epistrophies: Jazz and the Literary Imagination. Co-editor of Uptown Conversation: The New Jazz Studies and the journal Social Text.Frances Smith Foster (Ph.D. University of California, San Diego), Editor, The Literature of the Reconstruction to the New Negro Renaissance; Co-Editor, The Literature of Slavery and Freedom. Charles Howard Candler Professor of English and Women’s Studies, Emory University. Author of “Til Death or Distance Do Us Partâ€: Love and Marriage in African America; Written by Herself: Literary Production by African American Women, 1746–1892; and Witnessing Slavery: The Development of the Antebellum Slave Narrative. Co-editor of the Oxford Companion to African American Literature and Harriet Jacobs’s Incidents in the Life of a Slave Girl. Editor of several works, including Love and Marriage in Early African America; Minnie’s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances Ellen Watkins Harper; Elizabeth Keckley’s Behind the Scenes; and the Norton Critical Edition of Jacobs’s Incidents in the Life of a Slave Girl.Deborah E. McDowell (Ph.D. Purdue), Co-Editor, Realism, Naturalism, Modernism. Alice Griffin Professor of English, University of Virginia. Founding editor of the Beacon Black Women Writers series; co-editor with Arnold Rampersad of Slavery of the Literary Imagination; author of "The Changing Sameâ€: Studies in Fiction by Black Women; Leaving the Pipe Shop: Memories of Kin; editor of Nella Larsen's Quicksand and Passing, Jessie Redmon Fauset's Plum Bun, Pauline Hopkins’s Of One Blood, and numerous articles and essays.Robert G. O'Meally (Ph.D. Harvard), Editor, The Vernacular Tradition. Zora Neale Hurston Professor of English and Comparative Literature and founder of the Center for Jazz Studies, Columbia University. Author of The Jazz Singers; The Craft of Ralph Ellison; Lady Day: The Many Faces of Billie Holiday; and Romare Bearden; A Black Odyssey. Editor of the essay collections History and Memory in African American Culture; New Essays on Invisible Man: Tales of the Congaree; The Jazz Cadence of American Culture; co-editor of History and Memory in African American Culture and Uptown Conversation: The New Jazz Studies.Hortense Spillers (Ph.D. Brandeis), Co-Editor, Realism, Naturalism, Modernism, Gertrude Conaway Vanderbilt Professor of English, Vanderbilt University. Author of the essay collection Black, White, and in Color. Editor of the collection Comparative American Identities: Race, Sex, and Nationality in the Modern Text; co-editor with Marjorie Pryse of Conjuring: Black Women, Fiction and the Literary Tradition, and an editor of The Heath Anthology of American Literature. Director of Issues in Critical Investigation (ICI), an initiative to stimulate new scholarship in African diasporic studies, which she founded in 2007; founding editor of The A-Line Journal, A Journal of Progressive Commentary, which she launched in 2013. Recent work has appeared in Callaloo and boundary 2.Cheryl A. Wall (Ph.D. Harvard), Editor, Literature Since 1975. Board of Governors Zora Neale Hurston Professor of English, Rutgers University. Author of Worrying the Line: Black Women Writers, Lineage, and Literary Tradition and Women of the Harlem Renaissance. Editor of Zora Neale Hurston: Novels and Stories and Zora Neale Hurston: Folklore, Memoirs & Other Writings; two volumes of criticism on Hurston’s fiction, “Sweatâ€: Texts and Contexts and Their Eyes Were Watching God: A Casebook; and Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women. Co-editor with Linda J. Holmes of Savoring the Salt: The Legacy of Toni Cade Bambara.
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Product details
Series: Norton Anthology of African American Literature
Paperback: 2800 pages
Publisher: W. W. Norton & Company; Third edition (March 25, 2014)
Language: English
ISBN-10: 0393911551
ISBN-13: 978-0393911558
Product Dimensions:
6 x 2.9 x 9.3 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
49 customer reviews
Amazon Best Sellers Rank:
#91,824 in Books (See Top 100 in Books)
If I am not mistaken, I was supposed to receive both volumes of these books, but I only received Volume B and not Volume A. I need both for a class, and since I am renting the books (or rather, book, I guess), I am worried that it will seem as though I only returned one volume and not the other.As for the actual contents of Volume B...it's everything you can expect from a Norton Anthology: educational with a nice mixture of the well-known and the obscure. I have not had a chance to read it more thoroughly, but I quick skim through the pages left me satisfied that it is a good book for the classroom and those who have an interest in African American Literature.
I read this for an Advanced Survey of African American Literature course and absolutely loved it. It takes you through the entire history of African American Literature, beginning with the vernacular, or works such as folktales, blues, ballads and sermons that were intended for oral communication, and continuing into the modern era with authors like Alice Walker and Nikki Giovanni. Each section begins with an introduction by the editor that provides context and background for the particular chapter of the anthology. Although it is an anthology and has many shorter works, it has several full texts within it and is a rich literary history of African Americans. I would highly recommend it.
I thought this was a two-volume set. I am very upset to only receive one volume.
In previous reviews of books, I merely wrote “its required reading for a college course.†This statement is true but this set of books are enlightening. Would I have purchased them if it had not been a required text......likely not.
This is the 2nd Norton Anthology I’ve had to purchase for school. Norton Anthologies always have good content in them, however if you aren’t an English major then just rent it if possible. It’s a set of two volumes so while they are expensive, I guess you it’s okay.Btw, my copy came in wonderful condition!
The wording in description is misleading. This is to be a 2 volume set. The ISBN for the book is for the 2 volume set. No one can explain why this is or how to fix it except send it back or get vol 1 separate ðŸ˜ΕΎ Very misleading
Unable to rent so I had to buy it, these are two big books with a lot of great poems and texts. We used both books this semester.
Order arrived promptly and accurate to the description. Thanks!
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